The Philppines’ foreign-language Oscar hopeful is a historical epic set during the Philippine-American War.
Heneral Luna

One of the most expensive and highest-grossing Filipino films of all time, “Heneral Luna” is a rousing, warts-and-all portrait of Gen. Antonio Luna, the brilliant and brusque strategist whose command of troops in the Philippine-American War (1899-1902) was cut short by betrayal from within his own ranks. Anchored by a charismatic central performance by John Arcilla (“Metro Manila”) and peppered with exciting action sequences, the pic has the all-around energy to overcome the odd moment of bumpy storytelling and prosaic dialogue. A worthy official submission in the foreign-language Oscar race and an entertaining history lesson for audiences everywhere, “Luna” reps an impressive achievement in large-scale filmmaking by prolific scripter-helmer-editor-composer Jerrold Tarog (“If Only,” 2007). Launched locally on Sept. 9, the pic grossed a whopping $5.3 million and has notched an impressive $200,000 on limited U.S. screens since Oct. 30.

As the war drags on, Buencamino and Paterno indicate their support of a proposal by the Americans for Philippine autonomy. Enraged by this, Luna orders their arrest. Luna’s campaign is undermined by General Tomás Mascardo (Lorenz Martinez), who opposes Luna’s order for reinforcements, stating that he will only follow the President’s direct orders. While the two generals are about to clash in Pampanga, the Americans advance steadily as other Filipino generals like Gregorio del Pilar (Paulo Avelino) retreat to the north. Luna visits Aguinaldo and Mabini to file his resignation, knowing that Buencamino and Paterno had been set free. Aguinaldo refuses to accept his resignation, but agrees to let Luna establish a headquarters for the Philippine Army in the north.

Later, Luna is summoned by a telegram to the President’s headquarters in Cabanatuan. Although his officers are suspicious, Luna rides to Cabanatuan, bringing only Román and Rusca with him. Most of the soldiers had already left headquarters under Aguinaldo’s orders, with the exception of some elements of the Kawit Battalion. Luna discovers upon arrival that Aguinaldo had already left and only Buencamino remains in the office. As they exchange heated words, a single shot is fired outside. Luna investigates and encounters Captain Janolino and his men, who attack him. Luna is shot, stabbed, and hacked repeatedly to death. Román is also killed while a wounded Rusca surrenders to the Kawit soldiers. Most of Luna’s remaining loyal officers are arrested, while some are killed, including the Bernal brothers.
As ordered by Aguinaldo, Luna and Román are buried with full military honors by the Kawit Battalion – the same men who killed them. Mabini, who is among the mourners, notices a bloodied Bolo of one of the soldiers; however, the Kawit Battalion would be exonerated thereafter.
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While American newspapers quickly blame Aguinaldo for the death of Luna, after the war an aged Aguinaldo denies his involvement on the assassination; he acknowledges Antonio Luna as his most brilliant and most capable general. MacArthur and Otis acknowledge Luna as a worthy adversary, laughing at the fact that the Filipinos killed the only real general they had.
In the mid-credits scene, General Gregorio del Pilar makes ready to cover Aguinaldo’s retreat to the north. He gathers Luna’s remaining men and orders his aide to select 60 of them.
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